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Ernesto Caivano

Ernesto Caivano is known for his fantastical, narrative-based ink drawings. A natural storyteller, the artist conceives of his work as part of an ongoing illustrated epic, titled "After the Woods."ť Taking cues from classical myth, medieval folklore, romantic poetry, fantasy, and science fiction, Caivano's meandering, sweeping fairytale centers on star-crossed lovers. Over the course of 1,000 years, the prince matures into a knight in shining armor, while his paramour transforms into a spaceship. Stylistically, Caivano's intricate drawings borrow from art nouveau, modernist abstraction, Japanese prints, and fractal geometry.

Caivano's work has been the subject of solo shows at Richard Heller Gallery in Santa Monica, White Cube in London and at MoMA PS1 in New York, where his site-specific mural In the Woods (2004) is permanently installed in one of the building's stairwells. He has also been included in notable group exhibitions such as No New Thing Under the Sun (2010) at the Royal Academy in London, The Compulsive Line: Etching 1900 to Now at the Museum of Modern Art (2006), Greater New York 2005 at MoMA PS1, and the 2004 Whitney Biennial.

Born, 1972, Madrid, Spain
Lives and works in New York, NY

2001   MFA   Columbia University
1999   BFA    The Cooper Union  


Settlements 2002-2013, Pioneerworks, Brooklyn, NY (catalogue)

Relics Where..., Richard Heller Gallery, Santa Monica, CA

Her Affect On Branches (Topography of Contact), Tomio Koyama Gallery, Tokyo

Echo Gambit, White Cube, London, UK

Traps, Screens and Offerings, Carlier Gebauer - Berlin, Germany

Floral Veins, Richard Heller Gallery, Santa Monica, CA
Games for a Blackout Machine, Guild and Greyshkul, New York, NY

Union and Offerings, Statements ARCO Fair, Carlier/Gebauer

Mating Grounds, Richard Heller Gallery, Los Angeles, CA
After the Woods: A Selection, PS1/MoMA, Long Island City, NY
In the Woods, Long-term installation at PS1/MoMA, Long Island City, NY

Arboreal, 31 Grand Inc, Brooklyn, NY


A Weekend in the Country, Magnan Metz Gallery, New York, NY

INK, inc., Holly Johnson Gallery, Dallas, TX
Conversations, Travesia Cuatro, Madrid, Spain

ON FROM HERE, Guild & Greyshkul, New York, NY
Desenhos: A a Z (Drawings A to Z), Museu da Cidade, Lisbon

Microwave, Six, Josée Bienvenu Gallery, New York, NY
The Luxury of Love, Vanina Holasek Gallery, New York, NY
Renaissance, Ferragamo Gallery, New York, NY
Art on Paper, Weatherspoon Art Museum, Greensboro, NC

Multiple Interpretations: Contemporary Prints in Portfolio at the New York Public Library, New York Library, New York, NY
Every Eye sees differently as the Eye, The Drawing Room, London
Fairy Tale, Myth, and Fantasy: Approaches to Spirituality in Art, Galerie St. Etienne, New York, NY
Like Color in Pictures, Aspen Art Museum, Aspen, CO
Salon Nouveau, Engholm Engelham Galerie, Vienna, Austria

View Eleven: Upstate, Curated by Amy Smith-Stewart, Mary Boone Gallery, New York, NY
Light in August, Geoffrey Young Gallery, Great Barrington
Among the Trees, Visual Arts Center of New Jersey, Summit, NJ
Block Party: An Exhibition of Drawings, Daniel Weinberg Gallery, Los Angeles, CA
Twice Drawn, The Tang Museum, Saratoga Springs, NY
The Compulsive Line: Etching 1900 to Now, Museum of Modern Art, New York, NY
Selections from the LeRoy Neiman Center, Marianne Boesky Gallery, New York, NY
New York Drawings, Travesia Cuatro, Madrid, Spain
Fine Line, Adam Baumgold Gallery, New York, NY

On Line, Louisiana Museum of Modern Art, Humlebaek, Denmark
Recent Editions, The Leroy Neiman Gallery, New York, NY
Looking at Words, Andrea Rosen Gallery, New York, NY
Project Room, Tomio Koyama Gallery, Tokyo, Japan
Greater New York 2005, PS1/MoMA
Hallucinations, Galerie Almine Rech, Paris, France
Sutton Lane in Paris, Galerie Ghislaine Hussenot, Paris, France
Can’t See the Forest, Sixspace, Los Angeles, CA

Instinctive, Andrea Rosen Gallery, Mario Testino curator, New York, NY
I Feel Mysterious Today, Palm Beach Institute of Contemporary Art, Palm Beach, FL
Pick-up Lines, Geoffrey Young Gallery – Great Barrington, MA
Happy Days are Here Again, David Zwirner and André Schlechtriem curator, New York, NY
Woodwork, Anthony Grant, Inc – New York, NY
How Would You Light Heaven, Carlier/Gebauer, Berlin, GR
Whitney Biennial 2004, Whitney Museum of American Art, New York, NY

My Sources Says Yes, Guild & Greyshkul curated group show – New York, NY
Terrarium, Bronx River Art Center, Carl Eckhoff curator, Bronx, NY
Druid Wood as a Superconductor, Space 101, David Hunt curator - Brooklyn, NY
Game Over, Galerie Grimm\Rosenfeld, Munich, Germany
The New Topography, Geoffrey Young Gallery & curator, Great Barrington, MA
Group Show, Grant/Selwyn Fine Art - Clarissa Dalrymple curator, Los Angeles, CA
St. Valentine’s Day Massacre, 85 Chambers, Ayler & Geoffrey Young curators, New York, NY

Miami Ambassador, Fredric Snitzer Gallery, collaborative with Lansing-Dreiden, Miami, FL
Amenities, Scope at the Gershwin Hotel, Pascal Spengemann curator, New York, NY
Shallow Interiors, Rivington Arms Gallery, New York, NY

Thesis Exhibition, Columbia University, Jerry Saltz curator, New York, NY
Medium, Roy Neiman Gallery, Heidie Giannotti curator, New York, NY
Part 01, Wallach Gallery, Michael Cohen curator, New York, NY

Group, Intercontinental Gallery, Ivan Golinko curator, Montreal, Canada


David Pagel: “Art Review: Ernesto Caivano,” Los Angeles Times, April 9
Meredeth Mendelsohn: “Into the Woods,” Art+Auction, March 1

William Oliver: “After the Woods,” Another Magazine

Bruno LeMieux-Ruibal: “Contrasts / Spaniards in New York,” Lapiz, Issue 237-238
Mark Van de Walle: “Ernesto Caivano,” Elle Décor, April, pp. 70, 72

Rebecca Cascade: “Talent Show: Ernesto Caivano,” W Magazine, The Art Issue, November
Kai Regan: “Studio Visit,” BlackBook, Issue 47, October/November
Naomi Nevitt: “For gallery-lovers the world over,” Nylon, October
Sebastien Agneessens: “Nano,” Something in the Way #3, October
Colleen Asper: “Ernesto Caivano,” Beautiful/Decay, Issue O, pp. 40-41
Alex Bagner: “50 People, Places, Things: People Radar” Wallpaper, October, p. 257
Christopher Bedford: “Los Angeles Critic’s Picks: Ernesto Caivano,”, September/October
Suzanne Muchnic: “Look, Then Look Again,” LA Times, September 17, p. E 34
“10 Artists To Watch,” Art+Auction, May, p. 131
Annette Grant: “How to Spot the Kubrick in Edvard Munch,” New York Times, March 19
Grace Glueck: “The Enduring Allure of Scratching on Metal,” New York Times, March 9
Meredith Mendelsohn: “The New Romantics, ” Art News, February, pp. 122-3
Jonathan Wells:  “First Person,” Res Magazine, January/February, pp. 40-41
Holly Myers: “Reviews: National: Ernesto Caivano,” ARTnews, January

Trine Ross: “Gode og gale streger,” Politiken, 2, Sektion 5, November, p. 8
Emma Dexter: Vitamin D: New Perspectives in Drawing. London: Phaidon, 2005, pp. 52-53
Ellen Y. Hsu: “After the Woods,” Eleven Eleven Volume 2, pp. 15–19
Anders Kold: On Line. Denmark: Louisiana Museum of Modern Art exhibition catalogue, pp. 9–11
Dominic Molon: “I Feel Mysterious Today,” Palm Beach: Palm Beach institute of Contemporary Art, Palm Beach, FL
Olga Spiegel: “Impressiones de ARCO,” La Vanguardia, Feb 12
Holly Myers: “Ernesto Caivano at Richard Heller Gallery,” Art News, January, pp. 132-4

Peter Eleey: “Ernesto Caivano,” Frieze, October, p. 152
Mark Sanders: “Canopy Activity,” Another Magazine, Autumn/Winter, p. 18 - 29
Joyce B. Korotkin: “The Neo-Baroque Era,” Tema Celeste, July/August, p. 38
Tema Celeste, May/June
Brett Littman: “After the Woods, Art on Paper,” July/August, pp. 36 – 39
Steven Psyllos: Ernesto Caivano, New York Press, June 23 – 29, p. 32
Douglas Max Utter: “Ernesto Caivano @ P.S. 1,” Angle, Issue #14 – June
Mariuccia Casadio: “Dreamy,” Vogue Italia, May, p. 230
Scott Rothkopf: “Subject Matters,” Artforum, May, p. 176
Dan Cameron; Dan Fox, Jennifer Higgie, Matthew Higgs, Katy Siegel, Roberta Smith, and Neville Wakefield: “American Pie,” The 2004 Whitney Biennial, Frieze, May, p. 64
Brooks Barnes: “Your First Picasso,” The Wall Street Journal: Weekend Journal, April 9
Margaret Sundell: “The Today Show,” Time Out New York, March 25
Sarah Milroy:  “Art in a Tremulous Time,” The Globe and Mail, March 17, p. R1
Edward J. Sozanski: “A View from the Front Lines,” Philadelphia Inquirer, March 14
Dan Cameron; Arthur C. Danto; Simona Vendrame: New York, March 13
Andy Robinson: “Arte Para Tiempos de Angustia,” La Vanguardia, March 13
Michael Kimmelman: “Touching All Bases At the Biennial,” The New York Times, March 12
Daniel Kunitz: “Snapshots – and Painting! – From the Cutting Edge,” The New York Sun, March 11
Holland Cotter: “Duck! It’s Whitney Biennial Season Again,” The New York Times, March 7
Alfredo Triff: “Homegrown Style,” Miami New Times, February 5
Tim Griffin: “Out of the Past: Tim Griffin Talks with the Whitney Biennial Curators,” Artforum, January

Salzburg Kunstakademie Fellowship

2001 & 2002
Hayward Prize of the American Austrian Foundation

The Community Foundation Grant

Joan Sovern Award


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